Taking Shape: New Perspectives on Arab Abstraction, A Zoom Webinar Series
Session 2: Arab Abstraction and Arabic Letterforms
Co-organized by NYU’s Grey Art Gallery and Hagop Kevorkian Center for Near Eastern Studies, and co-sponsored by ArteEast
Original program date: June 4, 2020
Until the late 1960s, 20th-century art from the Middle East and North Africa was greatly understudied. Yet by the turn of the millennium, scholars, museum curators, and collectors were actively engaged in creating a global art history. Among questions to be considered are: Why did modern artists from these regions choose to create nonfigurative works? How can we approach Arab abstraction without falling back on borrowed methodologies?
Iftikhar Dadi, Associate Professor of History of Art, Cornell University, and Nada Shabout, Professor of Art History, University of North Texas, explore how the artists in Taking Shape “reterritorialized” the Arabic alphabet and made its aesthetic more accessible to the larger world, not only in detaching Arabic letterforms from Islamic calligraphy and religious history but also in liberating them from their semantic functions. In stripping Arabic letters of their former meanings, artists enabled them to signal modern (pan-)Arab identity and the decolonization of culture. Moderated by Pepe Karmel, Associate Professor of Art History, New York University.
Closed captions available.