Anne Brigman: A Visionary in Modern Photography rediscovers and celebrates the work of a pioneering and radical American artist. Anne Brigman (1869–1950)—a photographer, poet, and mountaineer—is best known for her iconic landscape images from the early 1900s, which depict herself and other female nudes outdoors in the Sierra Nevada.
Contrary to entrenched presumptions that Manhattan became the primary locus of art after World War II, "Americans in Paris: Artists Working in Postwar France, 1946–1962" delves into the various circles of artists who made France their home during an era of intense geopolitical realignment.
Metamorphoses: Ovid According to Wally Reinhardt is the largest solo museum exhibition of this New York-based octogenarian artist. Since the 1980s, Reinhardt has exclusively depicted scenes from Ovid’s Metamorphoses, creating vivid, whimsical illustrations in colored pencil, watercolor, and gouache that recount the Roman poet’s time-honored myths.
Criminal Files In the 1930s, Franklin D. Roosevelt gave J. Edgar Hoover unprecedented powers to fight the kidnappings, killings, crime bosses, and criminals that flourished at that time. Hoover countered the magnetism of such crime figures as “Pretty Boy” Floyd, Bonnie Parker and Clyde Barrow, John Dillinger, “Machine Gun” Kelly, and “Baby Face” Nelson with […]
John Singer Sargent, Draughtsmanfeatures more than 90 works on paper from the Corcoran Gallery of Art in Washington, D.C., which has one of the most comprehensive collections of Sargent's works on paper.
Rudy Burckhardt and Friends: New York Artists of the 1950s and '60s provides an insider's glimpse into the downtown Manhattan scene during these two decades central to the development of postwar American art.
Cosmopolitan and erudite, Albert Eugene Gallatin, George L.K. Morris, Suzy Frelinghuysen, and Charles B. Shaw were committed artists, passionate patrons, and close friends.
Contemporary artworks take many forms, at times even disappearing altogether. In 1969 cows grazing in a Napa Valley pasture licked away Lot’s Wife, a salt-block sculpture by Paul Kos.
Diebenkorn in New Mexico: 1950–1952 brings together approximately fifty paintings and drawings from this period for the first time.
In the early 1990s, many aspiring San Francisco artists lived and worked in the Mission District, a gritty, low-rent area of the city. Among them were San Francisco Art Institute undergraduates Alicia McCarthy, Barry McGee, and Ruby Neri, along with friends Chris Johanson and Margaret Kilgallen.