Taking Shape: Abstraction from the Arab World, 1950s–1980s traces the emergence and development of abstraction in the Arab World through paintings and sculpture dating from the 1950s through the 1980s.
Modernisms: Iranian, Turkish, and Indian Highlights from NYU’s Abby Weed Grey Collection explores art from the 1960s and early ’70s from Iran, Turkey, and India via selections from the unparalleled Abby Weed Grey Collection of Modern Asian and Middle Eastern Art at New York University.
In highly detailed figurative paintings, Frank Moore (1953–2002) created compelling vistas of alternate universes replete with fantastic imagery.
Like a good conversation, it takes two to make a portrait. Something special arises when artists depict their sitters or, in the case of self-portraits, themselves. Many times, however, portraits initially are judged by their ability to capture and evoke a sitter’s likeness. Yet the mirroring capacity of portraiture constitutes just one facet of its […]