The Victorian-era art critic and social activist John Ruskin argued that an artist's principal goal should be "truth to nature" - that all great art should depict the natural world as humanity experiences it. He believed that landscapes should capture not only the beauty of nature but also its threat and terror in order to render an authentic representation of the sublime, evoking feelings of awe and human insignificance. And by speaking out against industrial pollution in the 19th century, Ruskin effectively became one of Europe's first environmentalists.

Though celebrated in Algeria, France and the Middle East, Baya (as she chose to be known) has yet to gain greater international recognition. Perhaps her background or initial association with mid-century luminaries such as Pablo Picasso, Andre Breton and Jean DuBuffet discouraged broader or more dedicated consideration of her work. A new exhibition redresses this oversight. Baya: Woman of Algiers – on view at New York University’s Grey Art Gallery, January through March – is the first solo show of Baya’s art in North America. Comprising 22 gouache paintings from her 1947 Paris debut, it was curated by the French American scholar Natasha Boas, who recasts Baya’s legacy within critical, contemporary, feminist contexts.

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First Retrospective of Works by Lee Mullican Comes to New York; One of West Coast’s Most Important Abstract Artists April 25 – July 15, 2006 [DOWNLOAD FULL RELEASE]   New York City, February 9, 2006—New York University’s Grey Art Gallery presents the first museum retrospective of works by Lee Mullican. Organized by the Los Angeles […]

  Renegade American photographer subject of retrospective May 12 – July 18, 2009 [Download Release Here] New York City, March 29, 2009—New York University’s Grey Art Gallery is pleased to announce the first retrospective of the American photographer John Wood. John Wood: On the Edge of Clear Meaning, on view at the Grey Art Gallery from […]