EXHIBITION FOCUSES ON NEW YORK UNIVERSITY’S LANDMARK ART COLLECTION Mostly New: Selections from the NYU Art Collection March 21–June 17, 2022 Extended through fall 2022 Contact: Allegra Favila firstname.lastname@example.org 212/998-6789 [Download Press Release] The Grey Art Gallery at New York University is pleased to present Mostly New: Selections from the NYU Art Collection, the museum’s […]
WORKS ON PAPER FROM THE NYU ART COLLECTION Too little known is the Grey Art Gallery’s permanent art collection. New York University students, faculty, and staff might be familiar with some parts of it—over 800 works from the collection are installed throughout the campus. The collection dates back to 1958, when Department of Art Education […]
March 27, 2020—We are profoundly sad to announce that the upcoming exhibition, Anne Brigman: A Visionary in Modern Photography, is now cancelled. Read the full announcement from Lynn Gumpert, Director of the Grey Art Gallery, here. EXHIBITION REDISCOVERS RADICAL IMAGES FROM EARLY 20TH-CENTURY FEMALE PHOTOGRAPHER Anne Brigman: A Visionary in Modern Photography April 21–July 11, […]
Taking Shape: Abstraction from the Arab World, 1950s–1980s explores the development of abstraction in the Arab world via paintings, sculpture, and works on paper dating from the 1950s through the 1980s. By looking critically at the history and historiography of mid-20th century abstraction, the exhibition considers art from North Africa and West Asia as integral to the discourse on global modernism. At its heart, the project raises a fundamental art historical question: How do we study abstraction across different contexts and what models of analysis do we use?
Drawing on its remarkable collection of modern Iranian, Indian, and Turkish art, the Grey Art Gallery at New York University presents Modernisms: Iranian, Turkish, and Indian Highlights from NYU’s Abby Weed Grey Collection. Featuring approximately thirty to forty artworks from each country, the exhibition examines the artistic practices in Iran, Turkey, and India, from the 1960s and early ’70s via selections from the Abby Weed Grey Collection of Modern Asian and Middle Eastern Art.
Coinciding with the 50th anniversary of the Stonewall Uprisings, Art after Stonewall, 1969–1989 is a long-awaited and groundbreaking survey that features over 200 works of art and related visual materials exploring the impact of the Lesbian, Gay, Bisexual, Transgender, and Queer (LGBTQ) liberation movement on visual culture. Presented in two parts—at New York University’s Grey Art Gallery and the Leslie-Lohman Museum of Gay and Lesbian Art—the exhibition features artworks by openly LGBTQ artists such as Vaginal Davis, Louise Fishman, Nan Goldin, Lyle Ashton Harris, Barbara Hammer, Holly Hughes, Greer Lankton, Robert Mapplethorpe, Catherine Opie, Joan Snyder, and Andy Warhol. On view at the Grey Art Gallery from April 24 through July 20, 2019 and at the Leslie-Lohman Museum from April 24 through July 21, 2019, the exhibition is organized by the Columbus Museum of Art.
For centuries, Greek and Roman myths have inspired artists. New York University’s Grey Art Gallery is pleased to present a solo museum exhibition of the New York–based octogenarian artist Wally Reinhardt, who continues in this time-honored tradition. On view from January 9 through April 6, 2019 in the Grey’s Lower Level Gallery, Metamorphoses: Ovid According to Wally Reinhardt features some 50 watercolor, gouache, and colored pencil illustrations from a series that numbers nearly 200. Reinhardt, who began working on this project in 1984, has focused solely on interpreting Ovid’s most acclaimed work of Latin poetry, Metamorphoses.
Fritz Ascher: Expressionist is the first-ever retrospective of an overlooked but significant German artist. Characterized by the Nazis as “degenerate” (along with other artists who were banned and persecuted), Fritz Ascher (1893–1970) survived two world wars, and then remained in Berlin where he lived and worked. In addition to painting and drawing, he turned to writing poetry later in life. Organized by the Fritz Ascher Society for Persecuted, Ostracized and Banned Art, Inc., the exhibition comprises some 75 paintings and works on paper, ranging from early academic studies and figural compositions to the artist’s late colorful, mystical landscapes devoid of human presence.
NeoRealismo: The New Image in Italy, 1932–1960 poignantly portrays life in Italy through the lens of photography before, during, and after World War II. While neorealism is associated primarily with cinematic and literary depictions of dire postwar conditions, this is the first major museum exhibition to highlight key photographers active at the time. Featuring approximately 175 photographs by over 60 Italian artists, NeoRealismo pairs them with the original publications in which they circulated—illustrated magazines, photobooks, and exhibition catalogues. On view at NYU’s Grey Art Gallery from September 6 through December 8, 2018, the show also includes film excerpts by such notable directors as Vittorio De Sica, Roberto Rossellini, and Luchino Visconti, alongside related movie posters.
In the current global environment—with nature threatened now more than ever—how is our contemporary landscape reimagined by artists? Landscapes after Ruskin: Redefining the Sublime explores this intriguing question through artworks that confront an increasingly sinister notion of the sublime. Curated by renowned photographer Joel Sternfeld, the exhibition features approximately 60 works by over 45 artists, including paintings, photographs, sculpture, installation, film, and video.