A Feast of Astonishments: Chalotte Moorman and the Avant-Garde, 1960s–1980s, the exhibition catalogue, is published by Northwestern University Press and features new scholarship from art historians, musicologists, and experts on the 1960s and 1970s, including Hannah B. Higgins, professor in the School of Art and Art History at the University of Chicago; Kristine Stiles, France […]