Join Gregory Volk, New York­–based art critic and frequent Art in America contributor, in exploring Erró's unique mix of pop culture and global politics, including his startling series Mao’s Last Visit to Venice, on view at the Lillian Vernon Center.

Examining Erró's art, critic Eleanor Heartney will consider the work of other artists and art movements who employ popular culture as an instrument for trenchant political critique

Series of events organized by the Goethe-Institut New York in co-operation with the Grey Art Gallery and the Reykjavik Art Museum, as part of the Institute's series on Gender and Sexuality.