Inventing Downtown:

Artist-Run Galleries in New York City, 1952–1965

January 10–April 1, 2017

Inventing Downtown:
Artist-Run Galleries in New York City, 1952–1965

Between the apex of Abstract Expressionism and the rise of Pop Art and Minimalism, the New York art scene was transformed by artist-run galleries. Inventing Downtown presents works from fourteen of these crucibles of experimentation, highlighting artists’ efforts to create new exhibition venues for innovative works of art—ranging from abstract and figurative painting, assemblage, sculpture, and works on paper to groundbreaking installations and performances.

Inventing Downtown proposes viewing these fourteen galleries via five thematic groupings. Leaving Midtown focuses on three Tenth Street galleries which adopted a cooperative business structure where expenses were shared among elected members: Tanager Gallery, Hansa Gallery, and Brata Gallery. City as Muse features four ventures that did not adopt the co-op model: City Gallery, Reuben Gallery,  Delancey Street Museum, and Judson Gallery. They are best known for creating dynamic installations and pioneering performances. Space and Time investigates two significant artist-run projects, 112 Chambers Street and 79 Park Place, which occupied different conceptual terrains, embraced a wide range of media, and shared an interest in exploring temporality and geo-spatial dimensions. Politics as Practice includes four groups: March Group,  Judson Church’s Hall of Issues, The Center, and Spiral Group, which examined the viability of politics as a subject for art and channeled a new sense of social urgency in addressing Cold War politics, the civil rights movement, and the legacy of World War II, among other concerns. Finally, Defining Downtown looks at the Green Gallery, which played a decisive role in bringing downtown uptown and fostering the rise of Pop and Minimalism.  Its program, however, resulted in the narrowing of aesthetic possibilities and the marginalization of many artists.

Artist-run galleries shaped American art irreversibly. After 1965, New York’s uptown and downtown art scenes increasingly diverged, which led to the flowering of nonprofit downtown alternative spaces. Although more than half a century has passed since the era of Inventing Downtown, many of the issues mined in the exhibition still resonate in today’s art world—split as it is between the booming commercial market for contemporary art and ever more pluralistic models of artistic production, promotion, and display.

Inventing Downtown is curated by Melissa Rachleff, clinical associate professor in NYU’s Steinhardt School.

Galleries and Artists in the Exhibition

Image: John Cohen, Red Grooms transporting artwork to Reuben Gallery, New York, 1960 (detail). Courtesy the photographer and L. Parker Stephenson, New York. © John Cohen
Starts Tuesday, Jan 10, 2017
Ends Saturday, Apr 01, 2017
Curator Melissa Rachleff
Organized by Grey Art Gallery, NYU
Credits

Inventing Downtown: Artist-Run Galleries in New York City, 1952–1965 is organized by the Grey Art Gallery, New York University, and curated by Melissa Rachleff. Its presentation is made possible in part by the generous support of the Terra Foundation for American Art; the Henry Luce Foundation; The Andy Warhol Foundation for the Visual Arts; the S. & J. Lurje Memorial Foundation; the National Endowment for the Arts; the Boris Lurie Art Foundation; the Helen Frankenthaler Foundation; the Art Dealers Association Foundation; Ann Hatch; the Oded Halahmy Foundation for the Arts; Arne and Milly Glimcher; The Cowles Charitable Trust; and the Japan Foundation. The publication is supported by a grant from Furthermore: a program of the J.M. Kaplan Fund. Additional support is provided by the Grey Art Gallery’s Director’s Circle, Inter/National Council, and Friends; and the Abby Weed Grey Trust.

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Exhibition Types: Downtown