An Opening of the Field: Jess, Robert Duncan, and Their Circle showcases the rich artistic production of Jess and Robert Duncan, one of the most fascinating artistic couples of the twentieth century, alongside works by their remarkable circle of friends.
Radical Presence: Black Performance in Contemporary Art chronicles the emergence of black performance practices in contemporary art.
Alice Aycock Drawings is the first major survey of works on paper by leading American sculptor Alice Aycock (b. 1946), who is best known for her room-scale installations and massive outdoor sculptural works that span the divide between art, architecture, and science.
Beat Memories: The Photographs of Allen Ginsberg features more than 110 black-and-white works—many accompanied by Ginsberg's intimate, handwritten captions—that convey the spontaneity, freedom, and exuberant lifestyle of the Beat Generation.
Toxic Beauty: The Art of Frank Moore is the most comprehensive presentation to date of work by this remarkable artist whose life was cut short by AIDS.
Storied Past: Four Centuries of French Drawings from the Blanton Museum of Art presents French perspectives on dramatic narrative from the 16th through 19th centuries.
Soto: Paris and Beyond offers a rare opportunity to trace Soto's visionary trajectory as well as his reciprocal influence and exchange with other members of the avant-garde.
Fluxus—from the Latin, meaning "to flow"—was a radical, international network of artists, composers, and designers in the 1960s and 1970s noted for blurring the boundaries between what we term "art" and what makes up everyday life.
Published to accompany an exhibition of the same name, this fully illustrated, all-color catalogue is the first examination of the work of American sculptor John Storrs (1885-1956) to appear in over twenty years.
Concrete Improvisations is the first major American museum exhibition to pair collages and sculptures by the noted abstract painter Esteban Vicente.