Original program date: June 18, 2020. Between the 1950s and the 1980s, Arab countries were transformed through decolonization, the rise of nationalism, socialism, rapid industrialization, and wars and mass migrations. At the same time, artists were revitalizing their practices, finding inspiration in Arabic calligraphy, geometry and mathematics, and local topographies. Hannah Feldman, Associate Professor of Art History, Northwestern, focuses on abstract art in Algeria; and Alex Dika Seggerman, Assistant Professor of Islamic Art History, Rutgers University–Newark, on figurative art in Egypt. Moderated by Sarah-Neel Smith, Assistant Professor of Art History, Theory, and Criticism, Maryland Institute College of Art.
March 31, 2020 By Géranne Darbouze Located in the area devoted to gestural abstraction in the Grey Art Gallery’s current exhibition, Taking Shape: Abstraction from the Arab World, 1950s–1980s, Abdallah Benanteur’s painting The Garden of Saadi of 1984 is thought to represent not only a contrast between the physical landscapes of Northern France and Southern […]