Why photographers, who were in the vanguard of these efforts, are so unknown outside Italy (and even within it) is one of the mysteries that curator Enrica Viganó and the essayists in the catalog have sought to answer and to redress. The illuminating exhibition will be a crash course in post-war Italian cultural history for most Americans, introducing them to dozens of unfamiliar names.
NeoRealismo: The New Image in Italy, 1932–1960 poignantly portrays life in Italy through the lens of photography before, during, and after World War II. While neorealism is associated primarily with cinematic and literary depictions of dire postwar conditions, this is the first major museum exhibition to highlight key photographers active at the time. Featuring approximately 175 photographs by over 60 Italian artists, NeoRealismo pairs them with the original publications in which they circulated—illustrated magazines, photobooks, and exhibition catalogues. On view at NYU’s Grey Art Gallery from September 6 through December 8, 2018, the show also includes film excerpts by such notable directors as Vittorio De Sica, Roberto Rossellini, and Luchino Visconti, alongside related movie posters.