Fritz Ascher: Expressionist is the first-ever retrospective of an overlooked but significant German artist. Characterized by the Nazis as “degenerate” (along with other artists who were banned and persecuted), Fritz Ascher (1893–1970) survived two world wars, and then remained in Berlin where he lived and worked. In addition to painting and drawing, he turned to writing poetry later in life. Organized by the Fritz Ascher Society for Persecuted, Ostracized and Banned Art, Inc., the exhibition comprises some 75 paintings and works on paper, ranging from early academic studies and figural compositions to the artist’s late colorful, mystical landscapes devoid of human presence.
NeoRealismo: The New Image in Italy, 1932–1960 poignantly portrays life in Italy through the lens of photography before, during, and after World War II. While neorealism is associated primarily with cinematic and literary depictions of dire postwar conditions, this is the first major museum exhibition to highlight key photographers active at the time. Featuring approximately 175 photographs by over 60 Italian artists, NeoRealismo pairs them with the original publications in which they circulated—illustrated magazines, photobooks, and exhibition catalogues. On view at NYU’s Grey Art Gallery from September 6 through December 8, 2018, the show also includes film excerpts by such notable directors as Vittorio De Sica, Roberto Rossellini, and Luchino Visconti, alongside related movie posters.