Contrary to entrenched presumptions that Manhattan became the primary locus of art after World War II, "Americans in Paris: Artists Working in Postwar France, 1946–1962" delves into the various circles of artists who made France their home during an era of intense geopolitical realignment.

In 1996, artist and philanthropist Susan Unterberg founded the Anonymous Was a Woman (AWAW) award, making a simple, yet radical commitment to redress the lack of institutional support for women-identifying visual artists over the age of 40. Showcasing work by a selection of awardees from AWAW’s first 25 years, the exhibition explores several themes surrounding anonymity and, ultimately, celebrates the transformative impact women artists have made on contemporary art since the award’s founding.