Landscapes after Ruskin: Redefining the Sublime explores contemporary painting, photography, sculpture, and video through the lens of influential English art critic and social thinker John Ruskin (1819–1900), who argued that the artist’s principal responsibility is “truth to nature.” For Ruskin, this “truth” was more than just a technical representation of the natural world on canvas […]
NeoRealismo: The New Image in Italy, 1932–1960 portrays life in Italy before, during, and after World War II through the lens of photography. While Neorealism has largely been associated with literary and cinematic depictions of dire postwar economic conditions, this exhibition draws attention to the period’s many photographers. NeoRealismo features approximately 175 photographs—primarily vintage prints—by […]
Fritz Ascher: Expressionist presents works by this German Jewish artist, who lived through the Weimar Republic, the Nazi regime, and into the postwar years. After studying with Max Liebermann and Lovis Corinth in Berlin, Fritz Ascher (1893–1970) traveled to Oslo, where he met Edvard Munch, and Munich, where he associated with the artists of the Blue Rider and Simplicissimus groups. His early work is steeped in old myths, spirituality, and reflections on the human condition. From 1933 he was forbidden to produce, exhibit, or sell his art.
Exploring the impact of the Lesbian, Gay, Bisexual, and Transgender (LGBTQ) civil-rights movement on the art world, Art After Stonewall, 1969–1989 will open during the 50th anniversary year of the Stonewall Riots of 1969, a crucial victory in the gay liberation movement.
Wally Reinhardt: Pages from Ovid’s Metamorphoses is the first solo museum exhibition of this New York-based octogenarian artist. Since the 1980s, Reinhardt has exclusively illustrated scenes from Ovid’s Metamorphoses, with vivid, whimsical watercolor and gouache paintings that recount the Roman poet’s time-honored myths.